| | Year | Title | Ensemble | Performers |
| |
1992 | Angst und Freude Part II
(score) | Viola, Violoncello, & Piano | Min-Young Kim, Felix Wong, Cynthia Wu |
| |
| 1994 | Angstlichkeit | Viola, Violoncello, Bassoon, Battery and Keyboard Percussion | Carl Voss, Laura Frieberg, Glenn Davis, Bob Schulz |
| |
| 1993 | Benedictus
(score) | Women's Chorus | Radcliffe Choral Society
Beverly Taylor, Director
Melika M. Fitzhugh, Conducting |
| |
| 2006 | Faux Folk Dance Tune
(score) | Flute, Acoustic Guitar, Dumbek | Catherine E. Reuben, Melika M. Fitzhugh, Deb Lempke |
| |
| 1997 | Gaea
(score) | Guitar, Bass Guitar, Violin, Djembe | Melika M. Fitzhugh (recorded by Rich Goyette, 29 October 2005) |
| |
| 1995 | Ille Mi Par Esse (score)
Text from Carmina by Catullus | Women's Chorus | Radcliffe Choral Society
Beverly Taylor, Director and Conductor |
| |
| 1995 | ‘H Mhnis
Text from The Iliad by Homer | 2 Sopranos, Oboe, Soprano Saxophone, Marimba, Guitar | Luna Woolf, Patrice Williamson, Jennifer Montbach, Oliver Schneller, Carlton Kish, Gary Wallen | |
| |
| 1991 | Music of the Spheres
Concerto for Piano, Planets, and Percussion
Astronomical Perspective Final Project | Keyboard Synthesizer
Roland D-20 | Melika M. Fitzhugh |
| |
| 1996 | Solid Airity:
1. Building the Wall
2. Of Ice and Mortar | 2 Sopranos, Oboe, Soprano Saxophone, Marimba, Guitar | Christine Taylor, Patrice Williamson, Jennifer Montbach, Ian Carroll, Tom Pendergast, Gary Wallen |
| |
| 1994 | ‘H tas Tronou Yemas Oxuthta
Movement III | String Quartet | The Mendelssohn String Quartet |
| |
| 1996 | Teryicore kai Dionusis | Alto Saxophone & Piano | Ian Carroll, Michael Puri |
| |
| 2007 | Theme on the B String
(score) | Solo Guitar | Berit Strong (recorded by John DeGregario, 29 May 2008) |
| |